Spider man homecoming how to#

вЂњWe took the entire nearly completed sequence and printed out over a thousand individual framesвЂќ explained LePore. They would work within a limited color palette for every shot and they would create energetic 'pops' as a consistent element that ran throughout the entire sequence. To make sure everything felt like it lived as one complete thought, the team at Perception had two solutions. So, if we ever had to change a single element, like how quickly Spider-Man climbs up a wall, we wouldn't have to remake the whole sequence.' And to ensure the most flexibility in the future, each shot was created in multiple layers. It was an intricate process of working both digitally and practically. We would then print it out and draw, sculpt, or paint over it, and then photograph it or scan it, and finally it would go through compositing. 'We decided to rough out the entire sequence in After Effects before we touched a single piece of paper.

Spider man homecoming how to#

'One of our biggest concerns with doing an entirely handmade title sequence was figuring out how to to address inevitable requests from Marvel without having to throw out large chunks and start over,вЂќ explained Appleton. This raised some interesting challenges for Perception-first, how to create a process that will provide the flexibility of working digitally while still maintaining the handmade quality of it all, and second, how to make sure that these six styles aren't going to clash and that the piece feels like one complete thought. For most projects this would mean finding a way to combine six directions into one cohesive look, but for this project it meant creating a sequence that embraced the differences and unique qualities of each medium. There are a lot of fun little nods like that throughout the sequence.'ДЄfter the initial presentation showcasing a vast range of potential stylistic approaches, the team at Marvel Studios gave an emphatic 'Yes' to nearly every artistic medium. So, for instance, we have executive producers Kevin Feige and Amy Pascal together on the best friend handshake sequence because they were the ones that made the landmark deal between Marvel and Sony-which made this entire film possible. With Marvel Studios' input, we started to really dig into which credit best matched each moment. вЂњWeвЂ™d try a few out on the wall and then replace them as we refined our vision, which made for a really organic, fluid process.

'We ended up sketching hundreds of these little moments and put them all up on our wall so we could visualize how everything would flow together, added Doug Appleton, PerceptionвЂ™s Visual Effects Director. вЂњThe studio also helped us out by sharing a lot of ideas that were cut from the film or ideas that were left out of the script, but things that helped give us context for the ways that Spider-Man existed in his more low-key day-to-day life.' 'In addition to exploring unique aesthetic approaches and different artistic mediums we put together a long list of potential story concepts for these little narrative vignettes,вЂќ explained John LePore, Chief Creative Officer at Perception.